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Cinema against Spectacle: Technique and Ideology Revisited
Jean-Louis Comolli
2015
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Jean-Louis Comolli’s six-part essay Technique and Ideologyhad a revolutionary effect on film theory and history when it first appeared in Cahiers du Cinéma in 1971. In 2009, Comolli revisited his earlier text, arguing that the present age, marked by the total dominance of media-filtered spectacle over image production, makes the need for an 'emancipated, critical spectator' more pressing than ever. In this volume, Daniel Fairfax presents annotated translations of these two texts to provide an overview of Comolli’s activity as both a theorist and a filmmaker.
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Keywords
- André Bazin
- Cahiers du cinéma
- Depth of field
- Film History
- Film Theory
- Film theory & criticism
- Film, TV & radio
- Films, cinema
- Ideology Cinema and Politics
- Paris
- The arts
- thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism
Links
DOI: 10.5117/9789089645548Editions